FEATURES
Selected essays, features, and personal takes on films I've fallen for throughout the years.
MUBI
The Rhythm of Dreams: Wong Kar-wai in Five Songs
Life is a Feast: Fellini at 100
Falling in Love with Cèline Sciamma
The Irreverent Gangster: Takeshi Kitano's Subversive Cinema
Love at First Sight: Krzysztof Kieslowski's "Three Colours"
What Year is This? Pietro Marcello's Untimely Cinema
"My Family Friend": Michael Haneke and the Dangers of TV
The Horror and the Voyeur: On David Lynch's "The Elephant Man" and "Inland Empire"
"Fight the Powers That Be": Race and Capital in Spike Lee's "Do the Right Thing" and "Inside Man"
Disarming Machos, Raising Men: Alfonso Cuarón's "Sólo Con Tu Pareja" and "Y Tu Mamá También"
"I was not an overnight sensation": "A Star is Born" and the American Dream
The wondrous world of Harmony Korine: Close-up on "Mister Lonely" and "Trash Humpers"
Kinoscope
"I know myself": falling in love and growing up in Call Me By Your Name
Happy Birthday, "Mon Oncle"
Coming and grappling with age: in praise of Mike Mills' "Twentieth Century Women"
Disarming Manhood, Raising Men: Toxic Masculinities in "Monos" and "Piranhas"
Of wars, memories and fiction: the 9th Odessa International Film Festival
Dispatch from Venice: inconvenient truths
IndieWire
Beyond "Moonlight": searching for great queer cinema on the 2017 festival circuit
The Film Stage
The 18 Best Movie Moments from 2018
Selected essays, features, and personal takes on films I've fallen for throughout the years.
MUBI
The Rhythm of Dreams: Wong Kar-wai in Five Songs
Life is a Feast: Fellini at 100
Falling in Love with Cèline Sciamma
The Irreverent Gangster: Takeshi Kitano's Subversive Cinema
Love at First Sight: Krzysztof Kieslowski's "Three Colours"
What Year is This? Pietro Marcello's Untimely Cinema
"My Family Friend": Michael Haneke and the Dangers of TV
The Horror and the Voyeur: On David Lynch's "The Elephant Man" and "Inland Empire"
"Fight the Powers That Be": Race and Capital in Spike Lee's "Do the Right Thing" and "Inside Man"
Disarming Machos, Raising Men: Alfonso Cuarón's "Sólo Con Tu Pareja" and "Y Tu Mamá También"
"I was not an overnight sensation": "A Star is Born" and the American Dream
The wondrous world of Harmony Korine: Close-up on "Mister Lonely" and "Trash Humpers"
Kinoscope
"I know myself": falling in love and growing up in Call Me By Your Name
Happy Birthday, "Mon Oncle"
Coming and grappling with age: in praise of Mike Mills' "Twentieth Century Women"
Disarming Manhood, Raising Men: Toxic Masculinities in "Monos" and "Piranhas"
Of wars, memories and fiction: the 9th Odessa International Film Festival
Dispatch from Venice: inconvenient truths
IndieWire
Beyond "Moonlight": searching for great queer cinema on the 2017 festival circuit
The Film Stage
The 18 Best Movie Moments from 2018