Below are a few reviews I've written over the years (and, to your left, the critics of the 2019 Berlinale Talents in their sleep-deprived, stoic splendour).
David Fincher's "The Social Network"
Werner Herzog's "Nomad: In the Footsteps of Bruce Chatwin"
Steven Soderbergh's "Che"
Brett Story's "The Hottest August"
Karolis Kaupinis's "Nova Lituania"
Diao Yi'nan's "The Wild Goose Lake"
... a full list of all my MUBI articles can be accessed here.
The Film Stage
Céline Sciamma's "Portrait of a Lady on Fire"
Terrence Malick's "A Hidden Life"
Mariano Llinás' "La Flor"
James Vaughn's "Friends and Strangers"
Arun Karthick's "Nasir"
David Easteal's "The Plains"
Joana Pimenta and Adirley Queirós' "Dry Ground Burning"
Affonso Uchoa and João Duman's "Araby"
... a full list of all my The Film Stage articles can be accessed here.
Pablo Larraín's "Ema"
... a full list of all my Reverse Shot articles can be accessed here.
Nobuhiko Obayashi's "Labyrinth of Cinema"
Alessio Rigo de Righi and Matteo Zoppis' "The Tale of King Crab"
... a full list of all my Film Comment articles can be accessed here.