INTERVIEWS
A few selected chats with directors, writers and actors along the festival circuit.
MUBI
On the Road: Ryusuke Hamaguchi on "Drive My Car"
Toward a Necessary Cinema: Pietro Marcello on "Martin Eden"
Into the Abyss: Michelangelo Frammartino on "Il buco"
Senses of Cinema
Learning to Breathe: A Conversation with Joanna Hogg
"You don't get to hate it unless you love it": Joe Talbot and Jimmie Fails on "The Last Black Man in San Francisco"
The God of the Camera is a Coloniser: An Interview with RaMell Ross
Reverse Shot
An Interview with Valentyn Vasyanovych
Variety
Cinema as resistance: Palestinian director Annemarie Jacir on "Wajib"
The Film Stage
Into Foreign Lands: Kiyoshi Kurosawa on "To the Ends of the Earth"
Andrei Konchalovsky on "Sin," Michelangelo, Tarkovsky, and "Andrei Rublev"
Dominga Sotomayor on "Too Late to Die Young," growing up in a Chilean commune, and cinema as recollection
A few selected chats with directors, writers and actors along the festival circuit.
MUBI
On the Road: Ryusuke Hamaguchi on "Drive My Car"
Toward a Necessary Cinema: Pietro Marcello on "Martin Eden"
Into the Abyss: Michelangelo Frammartino on "Il buco"
Senses of Cinema
Learning to Breathe: A Conversation with Joanna Hogg
"You don't get to hate it unless you love it": Joe Talbot and Jimmie Fails on "The Last Black Man in San Francisco"
The God of the Camera is a Coloniser: An Interview with RaMell Ross
Reverse Shot
An Interview with Valentyn Vasyanovych
Variety
Cinema as resistance: Palestinian director Annemarie Jacir on "Wajib"
The Film Stage
Into Foreign Lands: Kiyoshi Kurosawa on "To the Ends of the Earth"
Andrei Konchalovsky on "Sin," Michelangelo, Tarkovsky, and "Andrei Rublev"
Dominga Sotomayor on "Too Late to Die Young," growing up in a Chilean commune, and cinema as recollection